“MAKE EVERY FRAME COUNT” The practice of slow photojournalism and the work of David Burnett
Andrew L. Mendelson and Brian Creech,
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| MAKE EVERY FRAME COUNT |
This paper presents a case study of the possibilities of slow photojournalism. Over the past decade, award-winning photojournalist David Burnett has used a 60-year-old Speed Graphic film camera to document US political events, several Olympic Games, and the aftermath of Hurricane Katrina, among other projects. His photographs reveal a significantly different aesthetic from contemporary photojournalism and he is celebrated for the perspective his analog photographs offer. This analysis is based on two points of examination: first, a textual analysis of articles and videos discussing the work; and second, a semiotic analysis of the imagery. The examination suggests Burnett’s photo aesthetic signifies a longing for an imagined analog, journalistic utopia of yore, where individual journalists had the time and freedom to put care and attention into their work.
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